|
|
|
1989 |
BA, Bennington College, Bennington, Vermont |
1987 |
Architectural Association, London |
|
|
|
| 2005 |
“Tom Sachs: McDonalds,” Tomio Koyama Gallery, Tokyo,
Japan, 22 April – 28 May 2005 |
| |
“Vanity,” Galerie Thaddaeus Ropac, Austria, 1 –
31 July 2005 |
| |
“Tom Sachs: Dedicated to the Memory of Ben Plummer 1968-2004,”
Baldwin Gallery, Aspen, 1 – 30 January 2005 |
| 2004 |
“Connecticut,” Sperone Westwater, New York, 7 May
– 5 June |
| 2003 |
"Holiday Spectacular,"
Printed Matter, Inc., New York, 22 November - 23 December |
| |
"Tom Sachs, New
Paintings," Galleria Cardi, Milan, 14 October- 22 November |
| |
"Nutsy's,"
Deutsche Guggenheim Berlin, Opening 15 July 2003 |
| |
"Disaster, (Featuring
Andy Warhol)" Galerie Thaddaeus Ropac, Paris, March 1-April
1 |
| 2002-2003 |
"Nutsy's,"
The Bohen Foundation, New York |
2001 |
"White,"
Galerie Thaddaeus Ropac, Paris, France (fanzine) |
|
“Lamps, Bitch Lounge & Quarter Screws,” A/D
Gallery, NYC, New York |
2000 |
"Defender", Baldwin Gallery, Aspen, Colorado |
|
"Test Module
Five (Urinal)," Tomio Koyama Gallery, Tokyo, Japan |
1999 |
"Haute
Bricolage," Mary Boone Gallery, NYC, New York (fanzine) |
| |
"W.W.J.B.D.
and other Smash Hits," Galerie Thaddaeus Ropac, Salzburg,
Austria |
| |
"Stairmaster,"
Mont Blanc Factory, Hamburg, Germany |
| |
"Creativity
is the Enemy," Galerie Thaddaeus Ropac, Paris, France |
| |
"SONY
Outsider," SITE Sante Fe, Santa Fe, New Mexico (catalogue) |
| |
"Tom Sachs", Mario Diacono Gallery, Boston, Massachusetts
|
| 1998 |
"Creativity is
the Enemy," Thomas Healy Gallery, NYC, New York |
1997 |
"Cultural Prosthetics", John Berggruen Gallery, San
Francisco, California |
|
"Tom Sachs", Galeria Gian Enzo Sperone, Rome, Italy
|
|
"Tom Sachs", Milleventi, Turin, Italy |
1996 |
"Tom Sachs,"
Mario Diacono Gallery, Boston Massachusetts |
1995 |
"Cultural Prosthetics,"
Morris-Healy Gallery, NYC, New York |
| 1994 |
Window display, Whitney Museum of American Art, Store Next Door,
NYC, New York |
| 1993 |
"Watch Me Work", Allied Cultural Prosthetics, NYC, New
York |
| |
"ICFF", Jacob Javitz Center, NYC, New York |
|
|
|
2005 |
“Die Dritte Dimension,” Galerie Haas
& Fuchs; Galerie Michael Haas, Berlin, 18 March – 30
April 2005 (catalogue)
|
|
“Homestyle,” Leo Castelli Gallery,
1 April – 27 May 2005 |
2004-2005 |
“DESIGN ? ART: Functional Objects from Donald
Judd to Rachel Whiteread,” Cooper Hewitt National Design
Museum, 10 September 2004 – 26 February 2005 |
|
Aspen Art Museum, Aspen, 5 August – 2 October
2005 |
2004 |
“Will Boys Be Boys? Questioning Adolescent Masculinity
in Contemporary Art,” The Salina Art Center, Salina, Kansas
20 November 2004 – 29 January 2005 |
|
Indianapolis Museum of Art, 22 October 2006 –
14 January 2007 (brochure) |
|
“26th Bienal de Sao Paulo,” Pavilhao Ciccillo
Matarazzo, Parque do Ibirapuera, Sao Paulo, Brazil, 25 September
– 19 December (catalogue) |
|
“…So Fresh, So Cool!,” Galleria
Cardi, Milan, 21 June – 18 September 2004 |
|
“Sculptural Sphere,” Sammlung Goetz,
Munich, 6 March – 12 September (catalogue) |
2003 |
“No Canvas,” Galleria Cardi, Milan, February
25-April 19 |
|
“Materials, Metaphors, Narratives: Work by
Six Contemporary Artists,” Albright-KnoxArt Gallery, Buffalo,
NY, 4 October – 4 January. |
2002 |
“Self-Medicated,” Michael Kohn Gallery,
Los Angeles, CA |
|
“Five by Five: Contemporary Artists on Contemporary
Art, Whitney Museum of American Art at Philip Morris, New York,
18 April – 5 July 2002. |
2001 |
"Camera Works", Marianne Boesky Gallery, NYC, New
York |
|
“Art at the Edge of the Law,” Aldrich Museum of
Contemporary Art, Ridgefield, CT (catalogue)
|
|
“Andy Warhol Knives,” Sperone Westwater, NYC, New
York
|
|
“Ironical Instinct,” Galleria Cardi, Milan, Italy
|
|
“The Armory Show 2001,” with Gian Enzo Sperone,
NYC, New York
|
|
“The Armory Show 2001,” with Tomiyo Koyama, NYC,
New York
|
|
“Making the Making,” Apex Art, NYC, New York
|
|
"My Reality", Des Moines Art Center, Des Moines, Iowa
|
2000 |
"Toys", Kagan Martos Gallery, NYC, New York |
|
"Expressions in Wood", Max Fish, NYC, New York
|
|
"C2C", New Langton Arts, San Francisco, California
|
|
"American Bricolage", Sperone Westwater, NYC, New York
|
|
"Hand-Made in the U.S.A.", Sprovieri Gallery, London,
England
|
|
Art/31/Basel, with Gian Enzo Sperone, Basel, Switzerland
|
|
Art/31/Basel, with Thaddaeus Ropac, Basel, Switzerland
|
|
"Destruction/Creation", Ubu Gallery, NYC, New York
|
|
"Seven New York Artist", Wetterling Gallery, Stockholm,
Sweden
|
|
"Chicago Art Fair", with Galerie Thaddaeus Ropac, Chicago,
Illinois
|
|
Rosenwald-Wolf Gallery, University of the Arts, Philadelphia,
Pennsylvania
|
|
"Fabula: Consumer Media and Contemporary Art", Cranbrook
Art Museum,Bloomfield Hills, Michigan |
1999 |
"The Stroke", Exit Art, NYC, New York |
|
"Coup d'Etat", Alleged Gallery, NYC, New York
|
|
"Readymade Project", Wunderkammer, London, England
|
|
"Making Change", The Jewish Museum, San Francisco, California |
|
"Dysfunctional Sculpture", Center Galleries, Detroit,
Michigan
|
|
"Persuasion", Lombard-Fried Gallery, NYC, New York |
|
"Paper: A Retrospective", Holly Solomon Gallery, NYC,
New York |
|
"Exposing Meaning in Fashion Through Presentation",
Brooklyn Bridge Anchorage, Brooklyn, New York |
|
"Comfort Zone: Furniture by Artist", Paine Webber
Art Gallery, NYC, New York
|
|
"Thinking Aloud", Kettle's Yard, Cambridge; Cornerhouse;
Manchester; and Camden Arts Centre London, England (Catalogue)
|
|
"Food for Thought", New Jersey Center for the Visual
Arts, Summit, New Jersey
|
|
"Hedge", Thomas Healy Gallery, NYC, New York
|
|
"Material Perception", Bank of America Plaza, Charlotte,
North Carolina. (Catalogue) |
|
"He Swam Down, Away", Audiello Fine Art, NYC, New York
|
1998 |
Gramercy International Art Fair, with Thomas Healy Gallery,
Miami, Florida
|
|
"Ensemble Moderne: The Still-Life in Contemporary Painting
and Sculpture", Galerie Thaddeus Ropac, Salzburg, Austria
and Paris France (Catalogue)
|
|
"Bathroom", Thomas Healy Gallery, NYC, New York
|
|
"New York", Gallery F15, Moss, Norway. (Catalogue)
|
|
San Francisco Art Fair, San Francisco, California |
1997 |
Gramercy International Art Fair, with Thomas Healy Gallery, Los
Angles, California |
|
"Thirty-Third Annual Exhibition of Art on Paper", Weatherspoon
Art Gallery, University of North Carolina, Greensboro, North Carolina.
(Catalogue) |
|
"Summer Group Show", Sperone Westwater Gallery, NYC,
New York |
|
"Icons: Modern Design and the Haunting Quality of Everyday
Objects", San Francisco Museum of Modern Art, San Francisco,
California
|
|
"Road Show '97", Bronwyn Keenan Gallery, NYC New
York
|
|
"The Subverted Object", Ubu Gallery, NYC, New York
|
1996 |
Gramercy International Art Fair, with Morris-Healy Gallery,
NYC, New York
|
|
"American Dreamin", Linda Kikland Gallery, NYC, New
York (Heidi Zuckerman, Curator)
|
|
"On/In/Through", Morris-Healy Gallery, NYC, New York |
|
"Shred Sled Symposium", Thread Waxing Space, NYC New
York |
1995 |
Gramercy International Art Fair, with Morris-Healy Gallery, NYC,
New York |
|
"Occupato", Bennett Roberts Fine Art, Los Angles,
California
|
|
"Inaugural Exhibition", Paul Morris Gallery, NYC,
New York |
1994 |
"Red Windows", Barney's, NYC, New York
|
|
"Kill All Artists", Public Performance, NYC, New
York
|
|
"Pathetic Masterworks", Alleged Gallery, NYC, New
York
|
|
"The Bong Show", Alleged Gallery, NYC, New York |
|
"ICCF Windows", Barney's, NYC, New York |
1993 |
"Shopping Cart Furniture", display window with Dries
van Notten, Barney's, NYC, New York |
1992 |
"Minimal Tricks", Alleged Gallery, NYC, New York
|
|
"10 Steps", Muranushi Lederman, NYC, New York
|
|
"Exhibition", Allied Cultural Prosthetics, NYC New
York |
1991 |
"Denied Access Parking Lot", L.A. Eats, Los Angeles,
California |
|
|
|
|
1987 Architectural Association Furniture Prize, awarded by
Tom Dixon, London, England |
|
|
|
2005 |
The Human Touch: Selections from the RBC Dain Rauscher Art Collection,”
Essays by Kathy Halbreich and Don McNeil, 2005, pp. 80-81 |
|
“Die Dritte Dimension,” Exhibition catalogue, Galerie
Haas & Fuchs; Galerie Michael Haas, Berlin, 18 March –
30 April 2005 |
|
Amy, Michael, “ 'You talkin’ to me?”: Violence
in Contemporary Art,” DITS: Violence, III, 5, Winter/Spring
2005, pp. 18-31 |
2004 |
Tschida, Anne, “Finders, Keepers,” Loft, December
2004, pp. 44-48 |
|
Friedling, Melissa Pearl, “Tom Sachs at Sperone Westwater,”
Flash Art, July – September 2004, p. 115.
|
|
Oksenhorn, Stewart, “Dedicated Delinquency: Tom Sachs
and the pursuit of adolescent bricolage,” The Aspen Times,
31 December 2004.
|
|
“26th Bienal de Sao Paulo,” Pavilhao Ciccillo Matarazzo,
Parque do Ibirapuera, Sao Paulo, Brazil, 25 September –
19 December, p. 222-225.
|
|
“Tom Sachs, Sperone Westwater,” tema celeste, September-October
2004, p. 88 |
|
Artwork in Interview, October 2004, p. 175 |
|
“Tom Sachs, 15 April 2003,” from Inside the Studio:
Two Decades of Talks with Artists in New York, Judith Olch Richards,
editor, New York: Independent Curators International (ICI), 2004,
pp. 286-289 |
|
Tim Sommer, “München: Sculptural Sphere,”
Art – Das Kunstmagazin, June 2004, p. 100-101
|
|
“Tom Sachs”, The New Yorker, June 7, 2004, p.15
|
|
Diaz, Eva, “Tom Sachs,” Time Out New York, June
3-10, 2004, p. 68
|
|
“Tom Sachs: ‘Connecticut’,” Metro,
Thursday, 6 May 2004, p. 14
|
|
Rosenberg, Karen, “Conn. Artist,” New York Magazine,
May 10, 2004, p. 79
|
|
Dannatt, Adrian, “Keeping it real, keeping it honest,”
The Art Newspaper, No. 147, May 2004, p. 33 |
|
Homes, A.M., “Connecticut Revolution: Tom Sachs Versus his
Refrigerator,” Vanity Fair, May 2004, p. 96 |
|
Healy, Tom, “The Questionable Tom Sachs,” from Sculptural
Sphere, Sammlung Goetz, Munich, 2004, pp. 139-156 (exhibition catalogue) |
2003 |
“Tom Sachs: Nutsy’s,” SCULPTURE, March 2003,
pp. 24-25
|
|
Kessler, Jon, “Tom Sachs,” BOMB MAGAZINE, March 2003,
pp. 69-75 |
|
Pollack, Maika, “Spotlight: Tom Sachs,” FLASH ART,
March – April 2003, pg. 107 |
|
Trainor, James, “Tom Sachs,” Tema Celeste, June 2003,
p. 88 |
|
Vincent, Steven, “Tom Sachs,” ART AUCTION, Summer
2003, p. 22
|
|
McDonough, Tom, “A Day at the Races,” ART IN AMERICA,
July 2003, p. 58
|
|
Tom Sachs, contributor, “The Kate Moss Portfolio: ‘The
Nutsy’s McDonald’s’,” W MAGAZINE, September
2003, pp. 432-433
|
|
M.S., “Tom Sachs: Nutsy’s, Deutsche Guggenheim,
Berlin,” THE ART NEWSPAPER, No. 138, July-August 2003, p.
24
|
|
Caniglia, Julie, “80’s Again, Tom Sachs”,
ARTFORUM, March 2003, p. 240
|
|
Als, Hilton, “Sachs and the City,” A+18, Autumn/Winter
2002-2003, pg. 312 |
2002 |
Streitfeld, L.P., “Armed & Disarming: The Haute Bricolage
of Tom Sachs,” SCULPTURE, May 2002, pp. 34-39 |
|
Meneguzzo, Marco, Translation by Amanda Coulson, “Tom Sachs,”
TEMA CELESTE, January/February 2002, p. 76 |
|
Soloman, Deborah, “Designer Death Camp,” THE NEW
YORK TIMES MAGAZINE, 10 March 2002, p. 19
|
|
Knight, Christopher, “’Self-Medicated’ Is
Anything but Sedate,” LOS ANGELOS TIMES, 25 January 2002,
p. F36
|
|
Morton, Tom, “Review: Hand Made in USA,” BRITART.COM,
February 2002 |
|
Newhall, Edith, “Sachs of Toys,” NEW YORK MAGAZINE,
11 November 2002, p. 140 |
|
Valdez, Sarah, “The Bohen goes Nuts,” TIME OUT NEW
YORK, 14-21 November 2002, pg. 80 |
2001 |
Halley, Peter, "Tom Sachs," INDEX, June/July 2001,
pp. 24-32 |
2000 |
O'Brien, Glenn and James Meyer, "Best of 2000", ARTFORUM,
December 2000, pp. 114, 118. (illus: "Chill Out Japan or
be Nuked Again", Cover "LAV A2",p. 119) |
|
Bollen, Christopher, "American Bricolage", TIME OUT
NEW YORK, December 7-14, 2000, p. 67
|
|
Staff, "Tom Sachs", SENSE, December 2000, p.40
|
|
Staff, "Galleries Downtown, American Bricolage",
THE NEW YORKER, 27 November, 2000, p. 32
|
|
Staff, "Handyman Special", NEW YORK MAGAZINE, 13 November,
2000, p. 106
|
|
Pincio, Tommaso, "Generazione P", IL MANIFESTO, 11 November
2000, p.20-21
|
|
Forrest, Jason, "Interview with Tom Sachs", SUPERFICIAL
DRAGON, Fall Edition 2000, p.7-10
|
|
Helfand, Glen, "Critics Choice: Art", SAN FRANCISCO
BAY GUARDIAN,October 4-10, 2000
|
|
Perrin, Cedric Saint Andre, "What is Fashion (Today)?",
BEUAX ARTS, October 2000, (illus: "Prada Valuemeal"
p. 8-9, C. "Hermes Rat", p.21, C.)
|
|
Staff, "Pardon Our Appearance", Issue 17, 2000, p.
88. (illus: "Tiffany Rat", p. 88, C.)
|
|
Marcoci, Roxana, "The Anti-Historical Approach: Brancusi,
Our Contemporary",ART JOURNAL, Summer 2000, pp. 18-35
|
|
Staff, "Tom Sachs", BIJUTSU TECHO, August 2000, pp.
129-136. (illus: Photo of Tom Sachs by Chie Sumiyoshi, p. 135, Drawing
by Tom Sachs, p. 134,
|
|
"Test Module Five (Urinal)", p. 133, C., "Test
Module Five (Urinal) Study", p. 132, C., "Hello Kitty",
p. 131 |
|
C., "Kill All Artists", p.130, C., "Chanel Guillotine",
p.129, C., "Remember Pearl Harbor", p. 129, C., |
|
"Buckaneer", p.129, C., " Chanel Chainsaw",
p. 129, C.)
|
|
Staff, "Tokyo", GEIJITSU SHICHO SHINCHOSA, June 2000,
p. 91
|
|
Staff, "Provocative is his Middle Name", COMPOSITE,
11:15 (April 2000)
|
|
Staff, "Entropy at Ubu and Feigen", THE ART NEWSPAPER,
No. 102, p.77 (April 2000)
|
|
DiPietro, Monty, "Plastic Cup Gives Lie to Bad-Boy Posturing",
ASAHI EVENING NEWS, 20 April 2000, p.9
|
|
Purvis, Jennifer, "Subverting Reality with Waste", THE
JAPAN SUNDAY TIMES, 30 April 2000, p.13
|
|
Staff, "What is Art?", LE MILLENIUM, (Shiseido Company),
No. 30, 2000
|
|
Peretz, Eugenia, "Art and Science", VANITY FAIR, March
2000, p.166
|
|
Sheets, Hilarie M., "Contemporary Realism", ARTNEWS,
March 2000, p. 120 (illus: Photo of Tom Sachs by |
|
Thibault Jeanson, p. 199, "Tiffany Valuemeal", p.
198, C., "Oksanna, 2000", p. 200, C., "Sink Test
Module", p. 200, C., "Amerikk(k)a's Most Wanted, 2000",
p. 201, "Toilet Test Module Number 5", p. 201, C.)
|
|
Feater, Felicia, "Branded at the Intersection of Beauty
and Pain", CREATIVE LOAFING (Atlanta), 25 March 200, p.41
|
|
Hass, Nancy, "Stirring Up the Art World Again", THE
NEW YORK TIMES, 5 March 2000, pp. St1, ST4. (illus: "Module
One", p. ST1, C.)
|
|
Staff, "Surf and Turf", VOGUE HOMMES INTERNATIONAL,
2000
|
|
Staff, "Architecte D'Intérieur Très À
La Page", LIBÉRATION, 20 Februrary 2000
|
|
Staff, "True Blue", THE NEW YORK POST, 10 February 2000
|
|
Norwich, William, "The Art of the Meal", THE NEW
YORK MAGAZINE, 13 February 2000, p. 77
|
|
Hamilton, William L., "Design Notebook: New Art's Interior
Motive", THE NEW YORK TIMES, 3 February 2000
|
|
Egan, Maura, "Roles of a Lifetime", NEW YORK MAGAZINE,
24 January 2000, p. 22
|
|
Staff, "Mary Boone in Manette", TEMA CELESTE, January
2000, pp. 140-141 (illus: "Guru's Yardstyle", p. 140,
C., "Ace Boon Coon", p. 140, C.)
|
|
Giovannotti, Micaela, "Tom Sachs", TEMA CELESTE, January
2000, p. 130 (illus. "Sink Test Module", p. 130, C.) |
|
Hüetlin, Thomas and Dirk Westphal (photographer), "Angst
und Schrecken und Chanel", SPIEGEL REPORTER, January 2000 |
1999 |
Lesser, Guy "Arts and Crafts", MADISON, December
1999, pp.62-69 |
|
O'Brien, Glenn, "Peeves in the Temple", PAPER, December
1999, p. 109 |
|
Clifford, Katie, "Tom Sachs", ART NEWS, December
1999, p. 174 (illus: "LAV A2", p. 174, C.)
|
|
Valdez, Sarah, "Tom Sachs at Mary Boone", ART IN AMERICA,
December 1999, p. 109 |
|
Moyer, Twylene, "News: New York Versus Mary Boone",
SCULPTURE, December 1999, p. 7. (illus: "Ace Boon Coon",
p. 7, C. "Toilet Test Module Number One", p. 7, C.) |
|
Friedman, Devin, "Fahrenheit: Man of the Month", GQ,
December 1999, p. 59 |
|
Hay, David, "Eclecticism 2", HOUSE BEAUTIFUL, December
1999, p. 48 |
|
Ebony, David, "Mary Boone Jailed in Art Raid", ART
IN AMERICA, November 1999, p. 37
|
|
Skoggard, Carl, "Bitch Lounge", NEST, Winter 1999,
pp. 108-13
|
|
Yu, San-San, "Queen Mary Played With Fire?", ART
CHINA, November 1999, pp. 29-30. (illus: "Ace Boon Coon",
p. 37, C.)
|
|
Staff, "Tom Sachs and Mary Boone", COAGULA ART JOURNAL,
November 1999, pp. 14-15 |
|
Staff, "Celebrity Personalities", NEW YORK MAGAZINE,
22 November 1999, pp. 34-35 |
|
Scott, Whitney, "The Artist Who Decapitates Chanel",
MANHATTEN FILE, October 1999, p. 24 |
|
Staff, "Voice Choices", VILLAGE VOICE, 12 October
1999, p. 111
|
|
Guest, Anthony Haden, "The Roving Eye", ARTNET.COM,
October 1999
|
|
Saltz, Jerry, "Where the Boys Are?", VILLAGE VOICE,
5 October 1999, p. 187
|
|
Smith, Roberta, "Removing the bullets and Trying to Judge
a Show", THE NEW YORK TIMES, 1 October 1999, p. B7. (illus:
"Ace Boon Coon", p. B7, B/W.) |
|
Columbia, David Patick, "Social Diary", AVENUE, October
1999, pp. 8-14 |
|
Wilson-Godie, Kaelen, "Going out of Fashion", ICON October
1999, pp. 56-7 |
|
Moxham, Tony, "Life in 2029", INTERVIEW, October 1999,
p. 224 |
|
Szabo, Juilia, "The Merchandising of Tom Sachs",
ELLE DÉCOR, October 1999, pp. 92-95
|
|
Staff, FRIEZE, September-October 1999, p. 9 |
|
Staff, "Short List", VILLAGE VOICE, 28 September
1999, p. 74 |
|
Villegle, Jacque, "Art", NEW YORK MAGAZINE, 27 September
1999, p. 104
|
|
Hakanson-Colby, Joy, "Dysfunctional Sculpture Thrives
on Dislocated Perceptions", THE DETROIT NEWS, 20 September
1999
|
|
Tysh, George, "Things Ain't The Way They Used To Be",
METRO TIMES, September 1999, pp. 8-14 |
|
Jones, Lynda, "Sofa, So Good", NICKELODEON MAGAZINE,
September 1999, p. 20
Staff, "New New York", TOKION MAGAZINE, September 1999,
p.20 |
|
Staff, ARTFORUM, September 1999, pp. 8-9 |
|
Staff, "Going on About Town", THE NEW YORKER, 27
September 1999, p. 16 |
|
Grunewald, Ulrike, "Warhol mit Waffe in der Hand",
WELT AM SONNTAG, 19 September 1999, p. 45. (illus: "Electric
Chair", p. 45, C. "Prada Death Camp", p. 45, C.
"Smelle Décor", p. 94, C. "Chanel Guillotine/
Breakfast Nook", p. 94, C. "Prada Valuemeal", p.
96, C. "Queer Bait", p. 96, C.) |
|
Staff, "Fall Previews", NEW YORK MAGAZINE, 13 September
1999, p. 112 (illus: "Sink Module Test", p. 112, C.)
|
|
Staff, "Tom Sachs and Mary Boone", GALLERY GUIDE,
September 1999, Cover and p. 7
|
|
Wilson Goldie, Kaelen, "Tom Sachs at Mary Boone",
ART AND AUCTION, 1 September 1999, p. 83. (illus: "LAV A2"
p. 83, C.)
|
|
Kostabi, Mark, "Artist's Pick", SHOUT, September
1999, p. 14. (illus: "Model Three", p. 14, C.)
|
|
Staff, "Fall Preview", NEWSWEEK, 30 August 1999, p.
62 |
|
Plagens, Peter, "Fall Preview", NEWSWEEK, 30 August
1999, pp. 58-62
|
|
McMullen, Patrick, "Photo File", MANHATTEN FILE, August
1999
|
|
Reginato, James, "La Dolce Venice", W MAGAZINE, August
1999, pp. 208-215
|
|
Viladas, Pilar, "Urban Renewal", THE NEW YORK TIMES
MAGAZINE, 22 August 1999, pp. 49-54. (illus: "Hermes Valuemeal",
p. 54, C.)
|
|
Kouds, Suzanne, "Bull Market Babylon", FORTUNE MAGAZINE,
16 August 1999, p. 42
|
|
Eberl, Robert, "Granaten Marke Gucci", GALA, 15 July
1999, p. 68
|
|
McMullan, Patrick, "Flash Fix: In the Mix", HAMPTONS,
19 July 1999, p. 116 |
|
Karcher, Eva, "Glamour-Partisan", GERMAN VOGUE, July
1999, pp. 138-141, 160 |
|
Galvin, John, "Striking Oil", TIME OUT NEW YORK, 24
July 1999, pp.16-17 |
|
Laferenz, Caroline, "Montblanc-Kunst und Hamburger",
HAMBURGER ABENDBLATT, 2 July 1999, p. 15
|
|
Von Elfenbein, Stefan, "Porno-Kunst soll fur jungles Image
Sorgen", BERLINGER ZEITUNG, 28 June 1999, p. 9 |
|
"L'art Incorrect de Tom Sachs", GENEREUX, June 1999
|
|
Staff, "Night Table Reading", VANITY FAIR, June 1999,
p. 152
|
|
Attias, Laurie, "Tom Sachs", ARTNEWS, May 1999, p.
176
|
|
Howe, Susanna, "Sports and Mind", HANATSUBAKI, No.
587. (May 1999)
|
|
Staff, "ARTFORUM", May 1999, p. 189 |
|
Filler, Marion, "Food is Art in New Exhibition", DAILY
RECORD (Morris County, NJ), 23 April 1999 |
|
Zimmer, William, "A Feast Where Not Everything Looks Good
Enough to Eat", THE NEW YORK TIMES, April 1999, Section 14:1 |
|
Bischoff, Dan, "A Matter of Taste", SUNDAY STAR LEDGER,
4 April 1999, Section 4: 1, 5
|
|
Talley, Andre Leon, "Brand of Horror", VOGUE, April
1999, p. 76, 82 |
|
Voight, Rebecca, "When Art Mocks-and Inspires-Fashion",
INTERNATIONAL HERALD TRIBUNE, 12 March 1999, p. 22 |
|
Staff, "Tom Sachs Pirate les Marques", REMIX, March
1999
|
|
Aftergood, Steven, "Secrets and Lies", THE BULLETIN
OF ATOMIC SCIENCES,March-April 1999, pp. 59-60
|
|
Buckley, Richard, "Tom Sachs is Bloody Brilliant...",
DUTCH Issue #20, Spring 1999, pp. 142-143. (illus: Hermes Valuemeal",
p.140, C. "Fendi Handaxe", p. 141, C."Chanel Guillotine",
p. 142, C. "Prada Death Camp", p. 143, C.) |
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Staff, "Allen en Hermes", COSMOPOLITAN (French Edition),
March 1999 |
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Armitage, Diane, "Tom Sachs Sony Outsider", THE MAGAZINE,
SANTA FE NM,March 1999, p. 37 |
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Staff, "Tom Sachs et Imi Knoebel", LE MONDE (Paris),
"Supplement Aden", 18 February 1999
|
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Indyke, Dottie, "It's the Bomb", PASATIEMPO, 5-11
February 1999, pp. 36-37
|
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Staff, "L'art et la mode confondus", L'OEIL, February
1999
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Staff, "Flash", FRENCH VOGUE, February 1999, p. 154
|
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Norwich, William, "Style Diary", THE NEW YORK OBSERVER,
1 February 1999 |
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Villani, John, "Deconstruction Site", ALBUQUERQUE JOURNAL,
31 January, 1999 |
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Johnson, Richard, "Designer Art", NEW YORK POST, 26
January 1999, p. 6 |
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Horyn, Cathy, "Couture, the Game for the Pure Players",
THE NEW YORK TIMES, 24 January 1999
|
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Staff, "Tom Sachs ou les Griffes au Purgatoire",
LE MONDE (Paris), 23 January 1999
|
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Dahan, Eric, "Nuits Blanches, sous une Pluie Glacée",
LIBERATION, 18 January 1999
|
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Seidl, Claudius, "Pret-a-porter", SUDDEUTSCHE ZEITUNG,
15 January 1999 |
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Norwich, William, "Style Diary", THE NEW YORK OBSERVER,
1 January 1999 |
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Shave, Stuart, "Sachs and Shopping", I-D MAGAZINE, January-February
1999, pp. 110-112 |
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Stalings, Tyler, "Like Infants from the Breast: The Cathode-Ray
Milk of North America", ART PAPERS, January-February 1999,
pp. 34-38 |
1998 |
Mason, Christopher, "Uptown, Downtown: Mixing Like Paint",
THE NEW YORK TIMES, 10 December 1998, pp. F1, F4 |
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Staff, "Bathroom", ART AND TEXT, December 1998
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Morris, Bob, "Loco for Logos", THE NEW YORK TIMES MAGAZINE,
15 November 1998, pp. 102-106 |
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Wilson, Eric, "From Monica to O.J., Celebrity Endorsers Can
Be Risky Business", WOMEN'S WEAR DAILY, W MAGAZINE, 31 July
1998 and October 1998 |
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Williams, Yseult, "Une Oeuvre d'art sur un Plateau",
FRENCH ELLE, September 1998
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Staff, "Tom Foolery", BLACK BOOK, September 1998,
pp. 38-39
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Talbot, Stephanie, "Rave", BLUEPRINT (London), September
1998
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Staff, "School's Out", THE ART NEWSPAPER, July-August
1998
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Verrico, Lisa, "Feeling Flush", THE SUNDAY TIMES
(London), 7 June 1998
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Swanson, Carol, "The Window Dresser", THE OBSERVATORY,
20 April 1998, p. 19 |
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Lemons, Stevens, "Are You Looking at Me?", SOMA, May
1998 |
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Smith, Roberta, "Art in Review", THE NEW YORK TIMES,
8 May 1998 |
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Norwich, Wiliams, "Billy's List-Quiztime", THE NEW
YORK OBSERVER, 11 May 1998
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Pedersen, Victoria, "Gallery Go Round", PAPER, May
1998
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Keeps, David A., "Shot Through the Art", DETAILS,
May 1998
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Davis, Peter, "99 Beautiful People", PAPER, April
1998
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Staff, "Shock Treatment", SCOTLAND ON SUNDAY, 15
February 1998
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Davis, Peter, "Backtalk, Hollywood Hip 101", PAPER,
February 1998, p. 28
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Kagan, Dick, " Go West, In Chelsea, New York's Hottest
Art Dealers Share Streets with Auto-Body Shops", ART AND
ANTIQUES, January 1998 |
1997 |
Slowey, Anne, "The Joy of Sachs", W MAGAZINE, December
1997 |
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Gant-Hill, Cathy, "The Venerable Art on Paperr Exhibition
Gets a New Curator's Fresh Touch", NEWS AND RECORD, Greensboro,
North Carolina, November 1997 |
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Lotte Sandberg, "New York pa Jeloy, Kultur Kommentar, Aftenpoften",
12 October 1997 |
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Jortveit, Anne Karin, "Chanel, pistolskudd-og livslinjer",
KLASSEKAMPEN, 4 October 1997
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Flor, Harald, "Vold og tyggis", DAGBLADET, 1 October
1997
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Staff, "Virkelighetens Raskap of Menneslkets Sarbarhet",
PA PULSEN MOSS DAGBLAD, Moss, Norway, 19 September 1997
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Kubberod, Tore, "MD-klubben med omnvisning pa F 15",
PA PULSEN, 19 September 1997
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Staff, "Mef Under Stolen", MOSS AVIS, 12 September
1997
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Halvorsen, Kenneth, "Tyggis, kniver og spakjerringer",
MOSS DAGBLAD, 19 September 1997 |
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Gibson, Jeff, "Tom Sachs", ART AND TEXT", May 1997,
p. 80 |
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Jackson, Jennifer and Andrea Linett, "fashion f.y.i.",
HARPER"S BAZAAR, March 1997 |
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Viladas, Peter, "Ross Bleckner on Long Island", ARCHITECTURAL
DIGEST, March 1997
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Staff, ART IN AMERICA, March 1997, p. 7 |
1996 |
Nys Dambrot, Shana, "Tom Sachs: Fashion Terrorist",
HOT LAVA, September 1996 |
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Schmerler, Sarah, "Art Review", TIME OUT NEW YORK,
14 August 1996
|
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Cash, Stephanie, "Tom Sachs at Morris-Healy [review]",
ART IN AMERICA, May 1996 |
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Chaikivsky, Andrew, "You Can't Hunt with a Brancusi",
ESQUIRE, April 1996 |
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Drolet, Owen, "Reviews: Tom Sachs", FLASH ART, March-April
1996 |
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Van de Walle, Mark, "Reviews: Tom Sachs", ARTFORUM,
March 1996
|
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Hucko, Leslie, "Tom Sachs", WORLD ART, February 1996
|
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Tanabe, Ryota, "Trash Art", BRUTUS, February 1996
|
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Staff, "Galleries-Downtown", THE NEW YORKER, 8 January
1996, p. 15
|
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Kimmelman, Michael, "Portraying the Gun Culture",
THE NEW YORK TIMES, 5 January 1996
|
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Williams, Alex, "Go West Young Dude", NEW YORK MAGAZINE,
1 January 1996 |
1995 |
Yablonsky, Linda, "Tom Sachs: Artist or Paranoid Terrorist?
Gun for Hire", PAPER MAGAZINE, December 1995 |
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Rimanelli, David, "Penny Wise: A Thinking Man's Guide to
Cents and Sensibility", ELLE DECOR, October 1995 |
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"Artistic Freedom Under Attack", PEOPLE FOR THE AMERICAN
WAY, III:84 (1995) |
1994 |
Bell, Charles W., "Store Creche a 'Pagan Charade' ",
DAILY NEWS, 16 December 1994 |
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Rivera, Elaine, "Artist Boycotts Barney's Auction",
NEW YORK NEWSDAY, 16 December 1994
|
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Romano, Lois, "The Reliable Source", THE WASHINGTON
POST, 14 December 1994
|
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Weber, Bruce, "Barney's Halts Store Display of Pop Creche
in Window", THE NEW YORK TIMES, 13 December 1994
|
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Kerrison, "Store Window Was a Showcase of Bad Taste",
NEW YORK POST, 12 December 1994 |
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Bell, Charles W., "How Still We See Thee Not", DAILY
NEWS, 10 December 1994 (cover story) |
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Reynolds, Michael, "Talking Trash", VOGUE, May 1994,
p. 320 |
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La Ferla, Ruth, "On the Money", ELLE, April 1994
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1993 |
Spindler, Amy M., "Nuts and Bolts of Jewelry", THE
NEW YORK TIMES, December 1993 |
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Brown, Sarah, "Index Book Report", VOGUE, November
2000, p. 530 |
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West, Kevin, "French Connection", W MAGAZINE, November
2000, pp. 138, 140 |
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Baer, Josh, "Art By Numbers, Slow and Steady", NEW YORK,
9 October 2000, p. 18 |
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Staff, "Best Gallery Openings", VILAGE VOICE, 3 October
2000, p. 118 |
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Staff, "It Girls, Cecilia Dean", VANITY FAIR, September
2000, p. 334
|
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Stewart, Barbara, "Judge Dismisses Case Involving 9-Millimeter
Art", THE NEW YORK TIMES, 7 December 1999, p. B1
|
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Rohde, David, "Art Gallery Owner Describes Night in Jail",
THE NEW YORK TIMES, 3 October 1999
|
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Allen, Angela C., "Boone: I Got Roughed UP by Cops at
Gallery", NEW YORK POST, 2 October 1999
|
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Newman, Andy, "Art Dealer is Arrested for Exhibition of
Live Ammunition", THE NEW YORK TIMES, 1 October 1999, p.
B1
|
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Peyser, Andrea, "Gun Lobby is Striking While the Irony
is Hot", NEW YORK POST 1 October 1999
|
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Johnson, Richard, "Page Six", THE NEW YORK POST,
7 October 1999, p. 6
|
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Staff, "Ammo-tions", NEW YORK POST, 1 October 1999 |
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Staff, "Queen of Art Hassled Royally", NEW YORK DAILY
NEWS, 1 October 1999 |
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Rohde, David, "Art Dealer Says Arrest in an Attack on Rights",
THE NEW YORK TIMES, 1 October 1999 |
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Kimmelman, Michael, "After All that Yelling, Time to Think",
THE NEW YORK TIMES, 1 October 1999
|
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Marzulli, John, "Art Dealer Busted in Bullet Giveaway",
NEW YORK DAILY NEWS, 30 September 1999 |
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Staff, "Bullets Put Gallery Big Shot Under Gun", NEW
YORK POST, 30 September 1999 |
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"Art Dealer Arrested for Ammunition Exhibit", THE NEW
YORK TIMES, 30 September 1999 (Early Edition) |
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Staff, "Gotham Style", NEW YORK MAGAZINE, 29 September
1999, p. 24 |
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Powers, Bill, "I Dream of Gina", BIKINI, September
1999, pp. 76-83
|
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Chaplin, Julia, "The First Family of Surfing", THE
NEW YORK TIMES, 22 August 1999, Section 9:1-2
|
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Viladas, Pilar, "Urban Renewal", NEW YORK TIMES MAGAZINE,
22 August 1999, pp. 49-54
|
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Galvin, John, "Striking Oil", TIME OUT NEW YORK,
24 July 1999, pp. 16-17
|
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Johnson, Richard, "Page Six", NEW YORK POST, 14 July
1999, p. 6
|
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Johnson, Richard, "Page Six: Pop Art", NEW YORK POST,
30 March 1999, p. 8
|
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Johnson, Richard, "Page Six: Designer Art", NEW YORK
POST, 26 January 1999, p. 6
|
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Horyn, Cathy, "Couture, the Game for Pure Players",
THE NEW YORK TIMES, 24 January 1999 |
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Peers, Alexandra, "Jumbo Paintings Become White Elephants",
THE WALL STREETJOURNAL, 17 May 1996, p. B1 |
|
Staff, "Religion Isn't Window Dressing", NEW YORK DAILY
NEWS, 14 December 1994, p. 30 |
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University of North Carolina, Weatherspoon Art Gallery, Greensboro,
North Carolina |
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The Jewish Museum, NYC, New York
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Metropolitan Museum of Art, Costume Institute, NYC, New York
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The Solomon R. Guggenheim Museum, NYC, New York
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Whitney Museum of American Art, NYC, New York |
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The San Francisco Museum of Modern Art, San Francisco, California |
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Astrup Fearnley Museet for Moderne Kunst, Oslo |
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