Born
New York, 1966
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1989 |
BA, Bennington College, Bennington, Vermont |
1987 |
Architectural Association, London |
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| 2008 |
"Animals", Sperone Westwater, NYC, NY May 8th |
| |
"Lever House Collection", Lever House, NYC, NY, 8
May |
| 2007 |
"Space Program" Gagosian Gallery, Beverly Hills, California,
8 September - 16 October |
| |
"Logjam", Des Moines Art Center, Des Moines, Iowa,
25 May - 16 December |
| |
"Islandia", Galerie Thaddaeus Ropac, Paris, 20 January
- 24 February |
| 2006 |
"Freeze!," Robilant & Voena, London, England,
10 October - 4 November |
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"Tom Sachs" Fondazione Prada, Milan, Italy, 6 April
- 15 June |
| |
“Tom Sachs – Survey: America, Modernism, Fashion,”
Astrup Fearnley Museet for Moderne Kunst, Oslo, Norway, 14 January
– 23 April |
| 2005 |
"Vanity", Galerie Thaddaeus Ropac, Salzburg, Austria,
1-30 July |
| |
"Artefiera Bologna", Sperone Westwater, NYC, New York,
27-31 January |
| |
“Tom Sachs: McDonalds,” Tomio Koyama Gallery, Tokyo,
Japan, 22 April – 28 May |
| |
“Vanity,” Galerie Thaddaeus Ropac, Austria, 1 –
31 July |
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“Tom Sachs: Dedicated to the Memory of Ben Plummer 1968-2004,”
Baldwin Gallery, Aspen, 1 – 30 January |
| 2004 |
“Connecticut,” Sperone Westwater, New York, 7 May
– 5 June |
| 2003 |
"Holiday Spectacular,"
Printed Matter, Inc., New York, 22 November - 23 December |
| |
"Tom Sachs, New
Paintings," Galleria Cardi, Milan, 14 October- 22 November |
| |
"Nutsy's,"
Deutsche Guggenheim Berlin, Opening 15 July 2003 |
| |
"Disaster, (Featuring
Andy Warhol)" Galerie Thaddaeus Ropac, Paris, March 1-April
1 |
| 2002-2003 |
"Nutsy's,"
The Bohen Foundation, New York |
2001 |
"White,"
Galerie Thaddaeus Ropac, Paris, France (fanzine) |
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“Lamps, Bitch Lounge & Quarter Screws,” A/D
Gallery, NYC, New York |
2000 |
"Defender", Baldwin Gallery, Aspen, Colorado |
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"Test Module
Five (Urinal)," Tomio Koyama Gallery, Tokyo, Japan |
1999 |
"Haute
Bricolage," Mary Boone Gallery, NYC, New York (fanzine) |
| |
"W.W.J.B.D.
and other Smash Hits," Galerie Thaddaeus Ropac, Salzburg,
Austria |
| |
"Stairmaster,"
Mont Blanc Factory, Hamburg, Germany |
| |
"Creativity
is the Enemy," Galerie Thaddaeus Ropac, Paris, France |
| |
"SONY
Outsider," SITE Sante Fe, Santa Fe, New Mexico (catalogue) |
| |
"Tom Sachs", Mario Diacono Gallery, Boston, Massachusetts
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| 1998 |
"Creativity is
the Enemy," Thomas Healy Gallery, NYC, New York |
1997 |
"Cultural Prosthetics", John Berggruen Gallery,
San Francisco, California |
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"Tom Sachs", Galeria Gian Enzo Sperone, Rome, Italy
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"Tom Sachs", Milleventi, Turin, Italy |
1996 |
"Tom Sachs,"
Mario Diacono Gallery, Boston Massachusetts |
1995 |
"Cultural
Prosthetics," Morris-Healy Gallery, NYC, New York |
| 1994 |
Window display, Whitney Museum of American Art, Store Next Door,
NYC, New York |
| 1993 |
"Watch Me Work", Allied Cultural Prosthetics, NYC,
New York |
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"ICFF", Jacob Javitz Center, NYC, New York |
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2005 |
The Human Touch: Selections from the RBC Dain Rauscher Art Collection,”
Essays by Kathy Halbreich and Don McNeil, 2005, pp. 80-81 |
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“Die Dritte Dimension,” Exhibition catalogue, Galerie
Haas & Fuchs; Galerie Michael Haas, Berlin, 18 March –
30 April 2005 |
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Amy, Michael, “ 'You talkin’ to me?”: Violence
in Contemporary Art,” DITS: Violence, III, 5, Winter/Spring
2005, pp. 18-31 |
2004 |
Tschida, Anne, “Finders, Keepers,” Loft, December
2004, pp. 44-48 |
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Friedling, Melissa Pearl, “Tom Sachs at Sperone Westwater,”
Flash Art, July – September 2004, p. 115.
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Oksenhorn, Stewart, “Dedicated Delinquency: Tom Sachs
and the pursuit of adolescent bricolage,” The Aspen Times,
31 December 2004.
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“26th Bienal de Sao Paulo,” Pavilhao Ciccillo
Matarazzo, Parque do Ibirapuera, Sao Paulo, Brazil, 25 September
– 19 December, p. 222-225.
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“Tom Sachs, Sperone Westwater,” tema celeste, September-October
2004, p. 88 |
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Artwork in Interview, October 2004, p. 175 |
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“Tom Sachs, 15 April 2003,” from Inside the Studio:
Two Decades of Talks with Artists in New York, Judith Olch Richards,
editor, New York: Independent Curators International (ICI), 2004,
pp. 286-289 |
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Tim Sommer, “München: Sculptural Sphere,”
Art – Das Kunstmagazin, June 2004, p. 100-101
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“Tom Sachs”, The New Yorker, June 7, 2004, p.15
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Diaz, Eva, “Tom Sachs,” Time Out New York, June
3-10, 2004, p. 68
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“Tom Sachs: ‘Connecticut’,” Metro,
Thursday, 6 May 2004, p. 14
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Rosenberg, Karen, “Conn. Artist,” New York Magazine,
May 10, 2004, p. 79
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Dannatt, Adrian, “Keeping it real, keeping it honest,”
The Art Newspaper, No. 147, May 2004, p. 33 |
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Homes, A.M., “Connecticut Revolution: Tom Sachs Versus
his Refrigerator,” Vanity Fair, May 2004, p. 96 |
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Healy, Tom, “The Questionable Tom Sachs,” from Sculptural
Sphere, Sammlung Goetz, Munich, 2004, pp. 139-156 (exhibition
catalogue) |
2003 |
“Tom Sachs: Nutsy’s,” SCULPTURE, March
2003, pp. 24-25
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Kessler, Jon, “Tom Sachs,” BOMB MAGAZINE, March
2003, pp. 69-75 |
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Pollack, Maika, “Spotlight: Tom Sachs,” FLASH ART,
March – April 2003, pg. 107 |
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Trainor, James, “Tom Sachs,” Tema Celeste, June
2003, p. 88 |
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Vincent, Steven, “Tom Sachs,” ART AUCTION, Summer
2003, p. 22
|
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McDonough, Tom, “A Day at the Races,” ART IN
AMERICA, July 2003, p. 58
|
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Tom Sachs, contributor, “The Kate Moss Portfolio: ‘The
Nutsy’s McDonald’s’,” W MAGAZINE, September
2003, pp. 432-433
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M.S., “Tom Sachs: Nutsy’s, Deutsche Guggenheim,
Berlin,” THE ART NEWSPAPER, No. 138, July-August 2003,
p. 24
|
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Caniglia, Julie, “80’s Again, Tom Sachs”,
ARTFORUM, March 2003, p. 240
|
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Als, Hilton, “Sachs and the City,” A+18, Autumn/Winter
2002-2003, pg. 312 |
2002 |
Streitfeld, L.P., “Armed & Disarming: The Haute Bricolage
of Tom Sachs,” SCULPTURE, May 2002, pp. 34-39 |
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Meneguzzo, Marco, Translation by Amanda Coulson, “Tom
Sachs,” TEMA CELESTE, January/February 2002, p. 76 |
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Soloman, Deborah, “Designer Death Camp,” THE
NEW YORK TIMES MAGAZINE, 10 March 2002, p. 19
|
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Knight, Christopher, “’Self-Medicated’
Is Anything but Sedate,” LOS ANGELOS TIMES, 25 January
2002, p. F36
|
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Morton, Tom, “Review: Hand Made in USA,” BRITART.COM,
February 2002 |
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Newhall, Edith, “Sachs of Toys,” NEW YORK MAGAZINE,
11 November 2002, p. 140 |
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Valdez, Sarah, “The Bohen goes Nuts,” TIME OUT NEW
YORK, 14-21 November 2002, pg. 80 |
2001 |
Halley, Peter, "Tom Sachs," INDEX, June/July 2001,
pp. 24-32 |
2000 |
O'Brien, Glenn and James Meyer, "Best of 2000",
ARTFORUM, December 2000, pp. 114, 118. (illus: "Chill Out
Japan or be Nuked Again", Cover "LAV A2",p. 119) |
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Bollen, Christopher, "American Bricolage", TIME
OUT NEW YORK, December 7-14, 2000, p. 67
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Staff, "Tom Sachs", SENSE, December 2000, p.40
|
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Staff, "Galleries Downtown, American Bricolage",
THE NEW YORKER, 27 November, 2000, p. 32
|
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Staff, "Handyman Special", NEW YORK MAGAZINE, 13 November,
2000, p. 106 |
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Pincio, Tommaso, "Generazione P", IL MANIFESTO, 11
November 2000, p.20-21 |
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Forrest, Jason, "Interview with Tom Sachs", SUPERFICIAL
DRAGON, Fall Edition 2000, p.7-10 |
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Helfand, Glen, "Critics Choice: Art", SAN FRANCISCO
BAY GUARDIAN,October 4-10, 2000
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Perrin, Cedric Saint Andre, "What is Fashion (Today)?",
BEUAX ARTS, October 2000, (illus: "Prada Valuemeal"
p. 8-9, C. "Hermes Rat", p.21, C.)
|
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Staff, "Pardon Our Appearance", Issue 17, 2000,
p. 88. (illus: "Tiffany Rat", p. 88, C.)
|
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Marcoci, Roxana, "The Anti-Historical Approach: Brancusi,
Our Contemporary",ART JOURNAL, Summer 2000, pp. 18-35
|
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Staff, "Tom Sachs", BIJUTSU TECHO, August 2000, pp.
129-136. (illus: Photo of Tom Sachs by Chie Sumiyoshi, p. 135,
Drawing by Tom Sachs, p. 134, |
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"Test Module Five (Urinal)", p. 133, C., "Test
Module Five (Urinal) Study", p. 132, C., "Hello Kitty",
p. 131 |
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C., "Kill All Artists", p.130, C., "Chanel Guillotine",
p.129, C., "Remember Pearl Harbor", p. 129, C., |
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"Buckaneer", p.129, C., " Chanel Chainsaw",
p. 129, C.)
|
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Staff, "Tokyo", GEIJITSU SHICHO SHINCHOSA, June
2000, p. 91
|
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Staff, "Provocative is his Middle Name", COMPOSITE,
11:15 (April 2000)
|
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Staff, "Entropy at Ubu and Feigen", THE ART NEWSPAPER,
No. 102, p.77 (April 2000)
|
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DiPietro, Monty, "Plastic Cup Gives Lie to Bad-Boy Posturing",
ASAHI EVENING NEWS, 20 April 2000, p.9
|
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Purvis, Jennifer, "Subverting Reality with Waste",
THE JAPAN SUNDAY TIMES, 30 April 2000, p.13 |
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Staff, "What is Art?", LE MILLENIUM, (Shiseido Company),
No. 30, 2000 |
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Peretz, Eugenia, "Art and Science", VANITY FAIR, March
2000, p.166 |
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Sheets, Hilarie M., "Contemporary Realism", ARTNEWS,
March 2000, p. 120 (illus: Photo of Tom Sachs by |
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Thibault Jeanson, p. 199, "Tiffany Valuemeal",
p. 198, C., "Oksanna, 2000", p. 200, C., "Sink
Test Module", p. 200, C., "Amerikk(k)a's Most Wanted,
2000", p. 201, "Toilet Test Module Number 5",
p. 201, C.)
|
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Feater, Felicia, "Branded at the Intersection of Beauty
and Pain", CREATIVE LOAFING (Atlanta), 25 March 200, p.41
|
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Hass, Nancy, "Stirring Up the Art World Again",
THE NEW YORK TIMES, 5 March 2000, pp. St1, ST4. (illus: "Module
One", p. ST1, C.)
|
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Staff, "Surf and Turf", VOGUE HOMMES INTERNATIONAL,
2000 |
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Staff, "Architecte D'Intérieur Très À
La Page", LIBÉRATION, 20 Februrary 2000 |
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Staff, "True Blue", THE NEW YORK POST, 10 February
2000 |
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Norwich, William, "The Art of the Meal", THE NEW
YORK MAGAZINE, 13 February 2000, p. 77
|
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Hamilton, William L., "Design Notebook: New Art's Interior
Motive", THE NEW YORK TIMES, 3 February 2000
|
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Egan, Maura, "Roles of a Lifetime", NEW YORK MAGAZINE,
24 January 2000, p. 22
|
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Staff, "Mary Boone in Manette", TEMA CELESTE, January
2000, pp. 140-141 (illus: "Guru's Yardstyle", p. 140,
C., "Ace Boon Coon", p. 140, C.)
|
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Giovannotti, Micaela, "Tom Sachs", TEMA CELESTE, January
2000, p. 130 (illus. "Sink Test Module", p. 130, C.) |
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Hüetlin, Thomas and Dirk Westphal (photographer), "Angst
und Schrecken und Chanel", SPIEGEL REPORTER, January 2000
|
1999 |
Lesser, Guy "Arts and Crafts", MADISON, December
1999, pp.62-69 |
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O'Brien, Glenn, "Peeves in the Temple", PAPER,
December 1999, p. 109 |
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Clifford, Katie, "Tom Sachs", ART NEWS, December
1999, p. 174 (illus: "LAV A2", p. 174, C.)
|
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Valdez, Sarah, "Tom Sachs at Mary Boone", ART IN AMERICA,
December 1999, p. 109 |
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Moyer, Twylene, "News: New York Versus Mary Boone",
SCULPTURE, December 1999, p. 7. (illus: "Ace Boon Coon",
p. 7, C. "Toilet Test Module Number One", p. 7, C.) |
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Friedman, Devin, "Fahrenheit: Man of the Month", GQ,
December 1999, p. 59 |
|
Hay, David, "Eclecticism 2", HOUSE BEAUTIFUL, December
1999, p. 48 |
|
Ebony, David, "Mary Boone Jailed in Art Raid",
ART IN AMERICA, November 1999, p. 37
|
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Skoggard, Carl, "Bitch Lounge", NEST, Winter 1999,
pp. 108-13
|
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Yu, San-San, "Queen Mary Played With Fire?", ART
CHINA, November 1999, pp. 29-30. (illus: "Ace Boon Coon",
p. 37, C.)
|
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Staff, "Tom Sachs and Mary Boone", COAGULA ART JOURNAL,
November 1999, pp. 14-15 |
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Staff, "Celebrity Personalities", NEW YORK MAGAZINE,
22 November 1999, pp. 34-35 |
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Scott, Whitney, "The Artist Who Decapitates Chanel",
MANHATTEN FILE, October 1999, p. 24 |
|
Staff, "Voice Choices", VILLAGE VOICE, 12 October
1999, p. 111
|
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Guest, Anthony Haden, "The Roving Eye", ARTNET.COM,
October 1999
|
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Saltz, Jerry, "Where the Boys Are?", VILLAGE VOICE,
5 October 1999, p. 187
|
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Smith, Roberta, "Removing the bullets and Trying to
Judge a Show", THE NEW YORK TIMES, 1 October 1999, p. B7.
(illus: "Ace Boon Coon", p. B7, B/W.) |
|
Columbia, David Patick, "Social Diary", AVENUE, October
1999, pp. 8-14 |
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Wilson-Godie, Kaelen, "Going out of Fashion", ICON
October 1999, pp. 56-7 |
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Moxham, Tony, "Life in 2029", INTERVIEW, October 1999,
p. 224 |
|
Szabo, Juilia, "The Merchandising of Tom Sachs",
ELLE DÉCOR, October 1999, pp. 92-95
|
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Staff, FRIEZE, September-October 1999, p. 9 |
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Staff, "Short List", VILLAGE VOICE, 28 September
1999, p. 74 |
|
Villegle, Jacque, "Art", NEW YORK MAGAZINE, 27
September 1999, p. 104
|
|
Hakanson-Colby, Joy, "Dysfunctional Sculpture Thrives
on Dislocated Perceptions", THE DETROIT NEWS, 20 September
1999
|
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Tysh, George, "Things Ain't The Way They Used To Be",
METRO TIMES, September 1999, pp. 8-14 |
|
Jones, Lynda, "Sofa, So Good", NICKELODEON MAGAZINE,
September 1999, p. 20
Staff, "New New York", TOKION MAGAZINE, September 1999,
p.20 |
|
Staff, ARTFORUM, September 1999, pp. 8-9 |
|
Staff, "Going on About Town", THE NEW YORKER, 27
September 1999, p. 16 |
|
Grunewald, Ulrike, "Warhol mit Waffe in der Hand",
WELT AM SONNTAG, 19 September 1999, p. 45. (illus: "Electric
Chair", p. 45, C. "Prada Death Camp", p. 45,
C. "Smelle Décor", p. 94, C. "Chanel Guillotine/
Breakfast Nook", p. 94, C. "Prada Valuemeal",
p. 96, C. "Queer Bait", p. 96, C.) |
|
Staff, "Fall Previews", NEW YORK MAGAZINE, 13 September
1999, p. 112 (illus: "Sink Module Test", p. 112, C.)
|
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Staff, "Tom Sachs and Mary Boone", GALLERY GUIDE,
September 1999, Cover and p. 7
|
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Wilson Goldie, Kaelen, "Tom Sachs at Mary Boone",
ART AND AUCTION, 1 September 1999, p. 83. (illus: "LAV
A2" p. 83, C.)
|
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Kostabi, Mark, "Artist's Pick", SHOUT, September
1999, p. 14. (illus: "Model Three", p. 14, C.)
|
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Staff, "Fall Preview", NEWSWEEK, 30 August 1999, p.
62 |
|
Plagens, Peter, "Fall Preview", NEWSWEEK, 30 August
1999, pp. 58-62 |
|
McMullen, Patrick, "Photo File", MANHATTEN FILE, August
1999 |
|
Reginato, James, "La Dolce Venice", W MAGAZINE,
August 1999, pp. 208-215
|
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Viladas, Pilar, "Urban Renewal", THE NEW YORK TIMES
MAGAZINE, 22 August 1999, pp. 49-54. (illus: "Hermes Valuemeal",
p. 54, C.)
|
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Kouds, Suzanne, "Bull Market Babylon", FORTUNE
MAGAZINE, 16 August 1999, p. 42
|
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Eberl, Robert, "Granaten Marke Gucci", GALA, 15
July 1999, p. 68
|
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McMullan, Patrick, "Flash Fix: In the Mix", HAMPTONS,
19 July 1999, p. 116 |
|
Karcher, Eva, "Glamour-Partisan", GERMAN VOGUE, July
1999, pp. 138-141, 160 |
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Galvin, John, "Striking Oil", TIME OUT NEW YORK, 24
July 1999, pp.16-17 |
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Laferenz, Caroline, "Montblanc-Kunst und Hamburger",
HAMBURGER ABENDBLATT, 2 July 1999, p. 15 |
|
Von Elfenbein, Stefan, "Porno-Kunst soll fur jungles
Image Sorgen", BERLINGER ZEITUNG, 28 June 1999, p. 9 |
|
"L'art Incorrect de Tom Sachs", GENEREUX, June
1999 |
|
Staff, "Night Table Reading", VANITY FAIR, June
1999, p. 152
|
|
Attias, Laurie, "Tom Sachs", ARTNEWS, May 1999,
p. 176
|
|
Howe, Susanna, "Sports and Mind", HANATSUBAKI,
No. 587. (May 1999)
|
|
Staff, "ARTFORUM", May 1999, p. 189 |
|
Filler, Marion, "Food is Art in New Exhibition", DAILY
RECORD (Morris County, NJ), 23 April 1999 |
|
Zimmer, William, "A Feast Where Not Everything Looks Good
Enough to Eat", THE NEW YORK TIMES, April 1999, Section 14:1 |
|
Bischoff, Dan, "A Matter of Taste", SUNDAY STAR
LEDGER, 4 April 1999, Section 4: 1, 5
|
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Talley, Andre Leon, "Brand of Horror", VOGUE, April
1999, p. 76, 82 |
|
Voight, Rebecca, "When Art Mocks-and Inspires-Fashion",
INTERNATIONAL HERALD TRIBUNE, 12 March 1999, p. 22 |
|
Staff, "Tom Sachs Pirate les Marques", REMIX, March
1999
|
|
Aftergood, Steven, "Secrets and Lies", THE BULLETIN
OF ATOMIC SCIENCES,March-April 1999, pp. 59-60
|
|
Buckley, Richard, "Tom Sachs is Bloody Brilliant...",
DUTCH Issue #20, Spring 1999, pp. 142-143. (illus: Hermes Valuemeal",
p.140, C. "Fendi Handaxe", p. 141, C."Chanel Guillotine",
p. 142, C. "Prada Death Camp", p. 143, C.) |
|
Staff, "Allen en Hermes", COSMOPOLITAN (French Edition),
March 1999 |
|
Armitage, Diane, "Tom Sachs Sony Outsider", THE MAGAZINE,
SANTA FE NM,March 1999, p. 37 |
|
Staff, "Tom Sachs et Imi Knoebel", LE MONDE (Paris),
"Supplement Aden", 18 February 1999
|
|
Indyke, Dottie, "It's the Bomb", PASATIEMPO, 5-11
February 1999, pp. 36-37
|
|
Staff, "L'art et la mode confondus", L'OEIL, February
1999
|
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Staff, "Flash", FRENCH VOGUE, February 1999, p.
154 |
|
Norwich, William, "Style Diary", THE NEW YORK OBSERVER,
1 February 1999 |
|
Villani, John, "Deconstruction Site", ALBUQUERQUE
JOURNAL, 31 January, 1999 |
|
Johnson, Richard, "Designer Art", NEW YORK POST, 26
January 1999, p. 6 |
|
Horyn, Cathy, "Couture, the Game for the Pure Players",
THE NEW YORK TIMES, 24 January 1999
|
|
Staff, "Tom Sachs ou les Griffes au Purgatoire",
LE MONDE (Paris), 23 January 1999
|
|
Dahan, Eric, "Nuits Blanches, sous une Pluie Glacée",
LIBERATION, 18 January 1999
|
|
Seidl, Claudius, "Pret-a-porter", SUDDEUTSCHE ZEITUNG,
15 January 1999 |
|
Norwich, William, "Style Diary", THE NEW YORK OBSERVER,
1 January 1999 |
|
Shave, Stuart, "Sachs and Shopping", I-D MAGAZINE,
January-February 1999, pp. 110-112 |
|
Stalings, Tyler, "Like Infants from the Breast: The
Cathode-Ray Milk of North America", ART PAPERS, January-February
1999, pp. 34-38 |
1998 |
Mason, Christopher, "Uptown, Downtown: Mixing Like Paint",
THE NEW YORK TIMES, 10 December 1998, pp. F1, F4 |
|
Staff, "Bathroom", ART AND TEXT, December 1998
|
|
Morris, Bob, "Loco for Logos", THE NEW YORK TIMES
MAGAZINE, 15 November 1998, pp. 102-106 |
|
Wilson, Eric, "From Monica to O.J., Celebrity Endorsers
Can Be Risky Business", WOMEN'S WEAR DAILY, W MAGAZINE, 31
July 1998 and October 1998 |
|
Williams, Yseult, "Une Oeuvre d'art sur un Plateau",
FRENCH ELLE, September 1998
|
|
Staff, "Tom Foolery", BLACK BOOK, September 1998,
pp. 38-39
|
|
Talbot, Stephanie, "Rave", BLUEPRINT (London),
September 1998
|
|
Staff, "School's Out", THE ART NEWSPAPER, July-August
1998
|
|
Verrico, Lisa, "Feeling Flush", THE SUNDAY TIMES
(London), 7 June 1998
|
|
Swanson, Carol, "The Window Dresser", THE OBSERVATORY,
20 April 1998, p. 19 |
|
Lemons, Stevens, "Are You Looking at Me?", SOMA, May
1998 |
|
Smith, Roberta, "Art in Review", THE NEW YORK TIMES,
8 May 1998 |
|
Norwich, Wiliams, "Billy's List-Quiztime", THE
NEW YORK OBSERVER, 11 May 1998
|
|
Pedersen, Victoria, "Gallery Go Round", PAPER,
May 1998
|
|
Keeps, David A., "Shot Through the Art", DETAILS,
May 1998
|
|
Davis, Peter, "99 Beautiful People", PAPER, April
1998
|
|
Staff, "Shock Treatment", SCOTLAND ON SUNDAY, 15
February 1998
|
|
Davis, Peter, "Backtalk, Hollywood Hip 101", PAPER,
February 1998, p. 28
|
|
Kagan, Dick, " Go West, In Chelsea, New York's Hottest
Art Dealers Share Streets with Auto-Body Shops", ART AND
ANTIQUES, January 1998 |
1997 |
Slowey, Anne, "The Joy of Sachs", W MAGAZINE, December
1997 |
|
Gant-Hill, Cathy, "The Venerable Art on Paperr Exhibition
Gets a New Curator's Fresh Touch", NEWS AND RECORD, Greensboro,
North Carolina, November 1997 |
|
Lotte Sandberg, "New York pa Jeloy, Kultur Kommentar, Aftenpoften",
12 October 1997 |
|
Jortveit, Anne Karin, "Chanel, pistolskudd-og livslinjer",
KLASSEKAMPEN, 4 October 1997
|
|
Flor, Harald, "Vold og tyggis", DAGBLADET, 1 October
1997
|
|
Staff, "Virkelighetens Raskap of Menneslkets Sarbarhet",
PA PULSEN MOSS DAGBLAD, Moss, Norway, 19 September 1997
|
|
Kubberod, Tore, "MD-klubben med omnvisning pa F 15",
PA PULSEN, 19 September 1997
|
|
Staff, "Mef Under Stolen", MOSS AVIS, 12 September
1997
|
|
Halvorsen, Kenneth, "Tyggis, kniver og spakjerringer",
MOSS DAGBLAD, 19 September 1997 |
|
Gibson, Jeff, "Tom Sachs", ART AND TEXT", May
1997, p. 80 |
|
Jackson, Jennifer and Andrea Linett, "fashion f.y.i.",
HARPER"S BAZAAR, March 1997 |
|
Viladas, Peter, "Ross Bleckner on Long Island",
ARCHITECTURAL DIGEST, March 1997
|
|
Staff, ART IN AMERICA, March 1997, p. 7 |
1996 |
Nys Dambrot, Shana, "Tom Sachs: Fashion Terrorist",
HOT LAVA, September 1996 |
|
Schmerler, Sarah, "Art Review", TIME OUT NEW YORK,
14 August 1996
|
|
Cash, Stephanie, "Tom Sachs at Morris-Healy [review]",
ART IN AMERICA, May 1996 |
|
Chaikivsky, Andrew, "You Can't Hunt with a Brancusi",
ESQUIRE, April 1996 |
|
Drolet, Owen, "Reviews: Tom Sachs", FLASH ART, March-April
1996 |
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Van de Walle, Mark, "Reviews: Tom Sachs", ARTFORUM,
March 1996
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Hucko, Leslie, "Tom Sachs", WORLD ART, February
1996
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Tanabe, Ryota, "Trash Art", BRUTUS, February 1996
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Staff, "Galleries-Downtown", THE NEW YORKER, 8
January 1996, p. 15
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Kimmelman, Michael, "Portraying the Gun Culture",
THE NEW YORK TIMES, 5 January 1996
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Williams, Alex, "Go West Young Dude", NEW YORK MAGAZINE,
1 January 1996 |
1995 |
Yablonsky, Linda, "Tom Sachs: Artist or Paranoid Terrorist?
Gun for Hire", PAPER MAGAZINE, December 1995 |
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Rimanelli, David, "Penny Wise: A Thinking Man's Guide to
Cents and Sensibility", ELLE DECOR, October 1995 |
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"Artistic Freedom Under Attack", PEOPLE FOR THE
AMERICAN WAY, III:84 (1995) |
1994 |
Bell, Charles W., "Store Creche a 'Pagan Charade' ",
DAILY NEWS, 16 December 1994 |
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Rivera, Elaine, "Artist Boycotts Barney's Auction",
NEW YORK NEWSDAY, 16 December 1994
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Romano, Lois, "The Reliable Source", THE WASHINGTON
POST, 14 December 1994
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Weber, Bruce, "Barney's Halts Store Display of Pop Creche
in Window", THE NEW YORK TIMES, 13 December 1994
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Kerrison, "Store Window Was a Showcase of Bad Taste",
NEW YORK POST, 12 December 1994 |
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Bell, Charles W., "How Still We See Thee Not", DAILY
NEWS, 10 December 1994 (cover story) |
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Reynolds, Michael, "Talking Trash", VOGUE, May 1994,
p. 320 |
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La Ferla, Ruth, "On the Money", ELLE, April 1994
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1993 |
Spindler, Amy M., "Nuts and Bolts of Jewelry",
THE NEW YORK TIMES, December 1993 |
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University of North Carolina, Weatherspoon Art Gallery, Greensboro,
North Carolina |
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The Jewish Museum, NYC, New York
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Metropolitan Museum of Art, Costume Institute, NYC, New York
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The Solomon R. Guggenheim Museum, NYC, New York
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Whitney Museum of American Art, NYC, New York |
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The San Francisco Museum of Modern Art, San Francisco, California |
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Astrup Fearnley Museet for Moderne Kunst, Oslo |
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Centre Georges Pompidou, Paris, France |
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Ellipse Foundation - Contemporary Art Collection, Amsterdam |
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Goetz Collection, Munich Germany |
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